Tag Archives: Digitization

Kimo’s Wrap Up for the Semester

This semester we recently wrapped up our time with GBH Fellow and Intern Kimo Nichols. We were lucky to have him on our team for two semesters, as opposed to our usual one with standard interns. The GBH Fellowship that Kimo was part of allowed us more time together, and more opportunity for Kimo to learn about what we do at ʻUluʻulu. We hope it was inspiring for him, and plants a seed in him to stick with media librarianship or archives! We asked Kimo to share some closing thoughts with us in the following exit interview. Thanks for everything, Kimo! We’re sad to see you go, but you will always be part of the ʻUluʻulu Family!

Could you share a little more about the work you did at ‘Ulu’ulu since we did your last interview? Did your assignments change over the time you were with the archive?


Since the last time I checked in, I’ve continued to work on digitizing, creating metadata and writing descriptions for the raw interview footage of the Biography Hawaii series, which originally aired on Hawaii Public Television in the early 2000s. My work on this project didn’t change much over the course of my time at ‘Ulu‘ulu, but I honestly didn’t mind. It was rewarding work and I appreciated getting to hone my skills through repetition, rather than having to “jump around” from task to task. Personally, I learn more effectively this way, so I’m glad my work on this project took this path.


Was there anything about the material you worked with that was surprising or unexpected?

By far, the biggest surprise that I encountered was the amount (not a ton, but enough to be very interesting and entertaining) of potentially regrettable comments made off camera by both film crew personnel and interview subjects. These comments, largely uttered in innocence 20+ years ago when the footage was shot, were, of course, caught by a “hot” mic and saved for posterity for an archives student to hear 20 years later. Additionally, I came across some seemingly off-color comments made in an interview about some of our more recent historical figures; these were wisely left on the cutting room floor by the filmmakers, in my opinion. After talking to others in the archival field that have previously worked with raw interview footage, I learned that “bloopers” of this sort are actually captured accidentally quite a fair amount. It’s just one of the aspects that makes this kind of archival work both fascinating and fun, however it’s also obviously an ethical/legal challenge that an a/v archivist must deftly navigate!

Now that you have worked as a Moving Image Archivist, and have had a chance to work with some different formats, what is your favorite archival media format and why?

I worked strictly with Betacam SP tapes during the Biography Hawaii project at ʻUluʻulu, so I can’t offer any kind of an opinion on the pros and cons of this type of video tape media versus any other. Overall though, I was glad that I got to work with Betacam SP because it’s a format that I had never before encountered. Having grown up during the golden age of VHS, I had lots of personal experience with that format, so I have to say that I was pleasantly surprised by what seemed to be the superior picture and resolution offered by Betacam SP over what I remember of the good ol’ VHS tape.

Do you have any recommendations for movies or TV shows that feature libraries, archives, or archival footage?

Tough question. Recommendations for movies featuring libraries and/or archives? I’m embarrassed to say that I had to go to the IMDb to think of any. I found quite a few that look interesting, but I’ve seen none of them to date. (Yep. This obviously means that I have not seen any of the Harry Potter films). In the “featuring archival footage” category, though, Zelig is definitely the first film that comes to mind.


Kimo’s American Archive of Public Broadcasting Preservation Fellowship in partnership with the University of Hawai‘i at Mānoa Library and Information Science Program was made possible by a grant from the WGBH Educational Foundation with support from the Institute of Museum and Library Services.

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Welcome to the team, Kate!

ʻUluʻulu has been brimming with interns lately! We are lucky that this Spring Semester we have both Kimo and now, our first Library and Information Sciences intern in several years, Kate Marsi! We’re doing our usual welcome interview with Kate a little late in the semester, but we still have a few months left with her and still want you to know about her. Read more about Kate’s experience with us, below.


Tell us a little about yourself, Kate.

I am currently in my second year of the LIS program, and am studying in the archives and special collections pathway. Before entering the University of Hawaiʻi at Mānoa Library and Information Sciences program, I received my BA in East Asian Humanities from San Francisco State University and worked in education in the states of California and Washington. I am the student assistant du jour with the Jean Charlot Collection at Hamilton Library, and I aspire to continue to work in art libraries, museum archives, and other special collections after graduating from the program. I read ravenously, adore cinema, traveling, and fashion. I enjoy cooking and hosting dinner parties, and occasionally rec dive with my husband.

What brought you here to ‘Ulu‘ulu? What are some of the things you’re hoping to learn during your internship with us?

I took the course, “Moving Image Archives”, that Janel taught over the summer, and it left me wanting to learn more and take on some hands-on experience of working with film processing and preservation. I am hoping to learn more about handling and processing film, as well as how moving image archives systems differ from more “traditional” archives. 

What projects are you working on at ‘Ulu‘ulu?

I am currently doing a good deal of work with the Hawaiʻi Home Movies Collection. I have been working on quality control of access files for newly digitized materials, and assisting with inventory, inspection, and condition reporting of two boxes of film from another family that has donated home movies to the collection.

Is there anything about the items you are working with that is surprising or unexpected?

When handling film in person, I was not ready for the realities of degrading film. I have had the pleasure of processing some yucky papers with my work at Jean Charlot, but the smell of vinegar syndrome and film decay was a massive shock. Definitely not a smell I will ever forget. On a less gross-out note, I have enjoyed the unexpected reality of being able to see these vignettes of everyday life in Hawaiʻi while working with the Hawaiʻi Home Movies Collection. 

Now that  you’ve been at the archive for a little while now, have you found a favorite aspect?

I have really enjoyed processing the Wadsworth collection. It has allowed me to get hands on, and become familiar with the different formats of film and see first hand how to determine a film reel’s condition when it arrives at the archive. 

Do you have any advice for future ‘Uluʻulu interns or fellows?

Kate decided to wait on this until she made it further into the semester. We’re counting on her to double back and fill us in. Check back with us, later!

Welcome to the team, Kimo!

As we announced earlier, our newest team-mate is Kimo Nichols. Kimo is our Public Broadcasting Preservation Fellow. We’ve asked Kimo to fill out our introductory interview so you all get to know him a little better. Dive in below!


I grew up on Oʻahu, attended local public schools and graduated from UH-Mānoa with a B.A. in American Studies and a Certificate in Ethnic Studies in 1993. I currently work in the Serials Department at Hamilton Library and am now working on my MLIS degree. In my spare time, I do a reggae show on KTUH FM and enjoy collecting vinyl, listening to music, watching football, hiking and spending time with my family.

What brought you here to ‘Ulu‘ulu? What are some of the things you’re hoping to learn during your internship with us?

I’ve been interested in audio/visual related archives for a while now and had the great fortune to previously work in one at UH-Manoa: The Wong Audiovisual Center located at the former Sinclair Library. I was brought to ʻUluʻulu through the University of Hawaiʻi at Mānoa’s MLIS program, where I learned about the Public Broadcasting Preservation Fellowship that was available through the American Archive of Public Broadcasting. I was extremely fortunate to be awarded a fellowship for the current academic year and placed at ‘Uluʻulu to serve my internship.

While at ‘Uluʻulu I look forward to learning as much as I can about video digitization and archival descriptive cataloging practices.

What projects are you working on at ‘Ulu‘ulu?

At the moment, I am working on digitizing and writing cataloging metadata descriptions for raw video footage of episodes in the Biography Hawaii series. So far I have digitized Betacam SP tapes and written metadata for episodes focusing on kumu hula Maʻiki Aiu Lake and union/civil rights attorney Harriet Bouslog.

Kimo reviewing tapes from the Biographical Research Center Collection.

Is there anything about the items you are working with that is surprising or unexpected?

Actually, quite a lot of what I’m working on has been unexpected, due mostly to my own ignorance of the historical subject matter.  I had never heard of Harriet Bouslog before working with the Biography Hawaii footage, let alone Hawaiʻi labor movement icon Ah Quon McElrath, the main interview source for the episodes on Bouslog. Similarly, although I have a bit more knowledge on the subject of hula, the many hours of footage and interviews I’ve digitized on the life and impact of Maʻiki Aiu Lake have been completely revelatory. Getting to hear the expertise and candor of hula and Hawaiian cultural authorities such as Robert Cazimero, Kalena Silva and Puakea Nogelmeier reminisce about Maʻiki and break down her hallowed place in the Hawaiian renaissance has been both fascinating and entertaining.

Now that  you’ve been at the archive for a little while now, have you found a favorite aspect?

Apart from being fortunate enough to benefit daily from the kindness, patience and amazing expertise of the staff, I’d say my favorite aspect of interning at ʻUluʻulu is being able to soak up as much as I can of all the incredible stories, history and images available in its archives. I’m being allowed to work with materials that really broaden and further my perspective of Hawaiʻi and its peoples .

Kimo hard at work in the digitizing lab.

Do you have any advice for future ‘Uluʻulu interns or fellows?

My advice would be to really just soak it all in and enjoy every moment of the learning experience.  I think that if future interns keep an open mind, love learning and show respect to the materials, interning at ‘Uluʻulu is an incredibly rewarding opportunity to work with an amazing group of people all committed to helping make sure Hawaiʻi’s story is told through the preservation of moving images.

Welcome, Lily Lubin!

This summer we are excited to welcome our first Roselani Intern in two years, Lily Lubin. Lily’s Roselani Internship is taking place in conjunction with her Association for Moving Image Archives (AMIA) Pathways Fellowship. ʻUluʻulu is lucky to be working with Lily for a total of ten weeks for her remote internship and fellowship. Read our introductory interview with Lily, below!

Lily Lubin, Roselani Intern and AMIA Pathways Fellow 2022.

Tell us a little bit about your background and how you got into this field of work, Lily.

A little background on me! My full name is Elizabeth, but I’ve always gone by Lily — although it’s a little unclear how that nickname came to be. 

I was adopted from China as a baby and raised on Martha’s Vineyard in Massachusetts. In the summers, my dad and I would often go birdwatching or collect butterflies and insects and my  interests in preservation stemmed from his. As I grew older, I started to notice the absence of certain things — the familiar call of the whippoorwill or luna moths that would gather on the screen door– and my curiosity grew. 

I went to Emerson College as an undergraduate, where I got a degree in screenwriting with minors in comedy and music history. When I was working in production or recording studios, I realized that I most enjoyed projects that related to cataloging or organizing sessionography. The media archives track at UCLA was the perfect opportunity to combine my interests in film and preservation and I hope that I can offer a more emphatic view on materials where others may not.  

Other things! I like to think I’m funny so I make a lot of jokes, whether they land or not.

In my spare time I like to hang out with my cat. I also love to read and listen to music — my record and book collections are constantly growing and I am always open to suggestions! I don’t have a lot of fun facts for myself, but I like to give fun facts, for instance, did you know that John Lennon helped write, and also sang backup vocals on, the David Bowie song “Fame”? 

What brought you here to ‘Ulu‘ulu? What are some of the things you’re hoping to learn during your internship with us?

I discovered ‘Ulu‘ulu and the Roselani Media Preservation internship through UCLA, where I am currently pursuing my masters in Library and Information Sciences and hope to pursue a profession in media archiving. 

During my internship, I hope to learn more about how an archive runs in real life and the intricacies of working in an archive that focuses on the preservation of cultural and historical materials. 

What projects are you working on at ‘Ulu‘ulu?

I have multiple projects that I am working on simultaneously, which I really enjoy because it covers so many different aspects of archiving – and more specifically media archiving – that I have been learning in my courses at UCLA. 

For instance, a couple of my projects involve creating enhanced/detailed descriptions for digitized footage from Juniroa Productions and KGMB ENG news. This project allows me to be creative in determining what information is key for a researcher or archivist when it comes to discovery and access. Similar to this, I have a project that involves transcribing handwritten ENG news log sheets. 

One of the Electronic News Gathering Log Pages Lily is transcribing.

Another project I have is creating captions for clips from the Pau Hana Years for the ‘Ulu‘ulu website – this project was especially fun because there was such a wide range of topics that are covered and so many creative and interesting people featured that I would never have come across otherwise!

Lastly, I have a project which involves checking the quality of the footage once it has been digitized. While I am waiting to start this project, I look forward to it because it is one of the more technical sides to media preservation. 

Is there anything about the items you are working with that is surprising or unexpected?

Something unexpected about the items I’ve worked on is how meticulously the log sheets and ENG footage were kept before coming to the archive. It’s really cool that someone had the foresight to keep the paper log sheets because it’s a really helpful tool for providing metadata and information that might otherwise be lost to the world.   

Now that  you’ve been at the archive for a little while now, have you found a favorite aspect?

One of my favorite aspects has been watching footage from the 70s and 80s. I wasn’t incredibly familiar with Hawaiian history before entering this internship and I’ve learned a lot about what life was like at that time. 

Do you have any advice for future ‘Ulu‘ulu Interns?

Don’t be afraid to look things up! There are times when I just can’t quite figure out what someone is saying or what is written, so I’ll search for it online. It’s amazing and scary how much is on the internet, but it’s a useful tool to ensure that there are as few blanks as possible. It’s a win-win on both ends because the work will be more accurate and you always learn something new. 

Please tell us a joke! 

One of my favorite knee slappers is a fruit related joke:

One fruit said to the another “I can’t elope” 

To which the other said, “but honey do!”

Thank you, Lily for sharing so much with us!

Through the generous support of the Henry Ku‘ualoha & Muriel Roselani Giugni Fund of the Hawai‘i Community Foundation, the Roselani Media Preservation Internship is offered each year at ‘Ulu‘ulu to give a student of merit who is committed to the preservation of our media history the opportunity to acquire practical experience in a moving image archive. 

Exploring Theme Pages

The last several months have been a whirlwind for us all. While the world learns to deal with the concept of “social distancing” we hope that everyone is able to find some bright spots in their abundance of “me time.” The ‘Ulu’ulu staff is largely working from home, at the moment, but there are still parts of our collection that you can access without contacting us directly. For example, if you haven’t gotten a chance to familiarize yourself with our website, please do! The clip collection, in particular, is a feature on our website that is meant to assist anyone interested in searching our collection for research or just for fun. It’s perfect for when you have some extra time on your hands.
Anyone can search the clip collection using the search bar that should be at the top of every page on our website. The clip collection is always growing and we also create themes to pull some of them together by topic. Some topics are entertaining and some are more solemn, but we try to encompass the breadth of our collection in these themes. Past themes have included The Merrie Monarch Festival, Wai (water rights), politicians, women’s history month, paniolo and so much more. We have continued creating theme pages and are aiming to release new ones regularly as more items from our collections are digitized.
theme page
From our home page uluulu.hawaii.edu you can follow the navigation link at the top right hand corner of the page that says “Explore,” and this will take you to the complete collection of Theme Pages. You can browse through all of them and even discover a jumping off point for learning more. The sampling of clips in our themes are not exhaustive, but we hope they are an enlightening introduction to the many facets of Hawai‘i that are preserved in our archive. Below, are the two most recent themes focusing on the Performing Arts in Hawai‘i and Food!
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Performing Arts

The performing arts have always been a big part of the cultures of Hawai‘i. From Hula to comedy, everything we do is unique or has a unique spin on it. We thought this would be a terrific opportunity to highlight ‘Ulu’ulu’s growing collection of performing arts materials.
We added a corresponding web theme to share some of the many clips that are available on our website to view. This collection focuses on the performing arts legacy that Hawai‘i and its people have nurtured for generations. Because of its multitude of cultures, Hawai‘i has regularly churned out artists and performances that are distinctly its own. Included here are a combination of clips depicting dance, stage drama, comedy and musical performances.

Food

We updated an older theme on food to include some of our more recently generated clips, as food is one of the most important facets of any group of people. We need it to survive, but we also consume and share certain foods as ways to celebrate life events, comfort ourselves and demonstrate pride in our heritage. Here is our updated, theme page with clips from our numerous collections showing some of the many aspects of food in Hawai’i, from gathering to production to enjoyment.
The clips that we post are only about 10% of the full-length footage. So, if you find yourself wanting to know just how the rest of an interview or segment went in one of the clips, there is the “Ask an Archivist” button the bottom of every page on our website. If you click on that button, you can fill out the form and let us know which clip you want to see more of. Try to give as much information as possible; the title and the title number are particularly helpful. From there, we’ll be able to assist you in getting the full-length footage streamed directly to you.
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We hope that this additional knowledge helps boost understanding about the archive and what we do.
Stay safe and healthy, everyone!

Preservation Vendor Identified

Vendor - Scene Savers

Aloha!

The HKG Archive undertook a comprehensive search for vendors that will be used for the preservation and digitization work in the Pilot Project. Proposals were obtained from Bay Area Video Coalition, and D. C. Video, both in California,  and Scene Savers in Covington, Kentucky across the river from Cincinnati.  All three submitted excellent proposals. Based on these proposals I would not hesitate recommending any of these companies for future work.

However, in the end we could only select one, and I am happy to inform you we we selected Scene Savers. They were the only company that could handle all the the formats we are looking to preserve in this Project in-house. John Walco, from Scene Savers, will be coming to conduct a media digitization/ preservation workshop in August. More information about the workshop will be posted soon.

Mahalo