ʻUluʻulu: The Henry Kuʻualoha Giugni Moving Image Archive of Hawaiʻi

In honor of tomorrow’s Kamehameha Day, here are few photos from the 1963 King Kamehameha Floral Parade.

As a reminder, ʻUluʻulu will be closed Tuesday June 11  in observance of the holiday.

In celebration of  Hōkūleʻa setting sail on their  worldwide voyage, here are clips from the 1976 inaugural voyage return:

Ashley Hartwell, Summer Volunteer Intern

Ashley Hartwell is a graduate student at the University of Hawaiʻi at Manoa, pursuing her Masters of Library and Information Science with a focus on archives.  With this focus in mind, Ashley is volunteering for the ʻUluʻulu Archive this summer to gain some archival experience prior to her graduation in December.  She is assisting in the inventory of the Meleanna Aluli Meyer Collection, a new acquisition that consists of over a dozen boxes of film and audio reels, created by the Hawaiian documentary filmmaker Meleanna Aluli Meyer. Please help us in welcoming Ashley!

ʻUluʻulu is featured on this week’s HIKI NŌ!

Mahalo to the students at Kamehameha High School, Kapalama Campus, for doing the story!

The lei are being prepared, the instruments being tuned; it’s that time of the year for Merrie Monarch! This year’s festival is particularly special because it marks the 50th anniversary of the hula festival which began in 1963 in Hilo with the main purpose to perpetuate, preserve, and promote the art of hula and the Hawaiian culture through education. The festival led to and was part of the Hawaiian Renaissance in which Hawaiians reclaimed their culture and language through music, dance and protest. The festival is named for King David Kalākaua who was named the merrie monarch. King Kalākaua recognized the importance of ho‘oulu lāhui (grow the nation) and strengthening the nation through arts, culture and genealogy through the Hale Nauā genealogy society. On his silver jubilee (50th birthday) Kalākaua celebrated with a two week party which included parades throughout Honolulu, hula and oli for their merrie monarch. In the spirit of Merrie Monarch, below are some clips focusing on hula. Be sure to check out our hula theme as well. Happy Merrie Monarch everyone!

Hula Kahiko, Kauaʻi Moʻolelo, Oli, Keaīwa Heiau (1985). Juniroa Productions collection.

O’Brian Eselu was Kumu Hula of Hālau Ke Kai o Kahiki whose kāne brought viewers sharp and aggressive hula and won the competition year after year. This is the second year without Eselu who passed away in 2012, however his hālau will compete this year.

Kumu Hula Kawaikapu Hewitt and Hālau Hula (1986). Juniroa Productions collection.

Hula and chant are the vehicle in which Hawaiians pass on their history, spirituality, and other aspects of their world view. This hula is about Hopoe, friend of Hi‘iakaikapoliopele the sister of Pele. Much of the hula in Merrie Monarch is centered around the story of Hi‘iaka which teaches important Hawaiian lessons.

Leinaʻala Heine : Chant and Hula. Center for Labor Education and Research, Pilot Project collection.

This clip features Leina‘ala Heine who is kumu of Hālau Nā Pualei O Likolehua and the footage is part of the “Cowboys & Canoes” program from the Rice and Roses series.

By Koa Luke

ʻUluʻulu will be closed for Spring Break and Kūhiō Day from March 25-29 and will re-open April First. Have a happy Kūhiō Day!

Last Friday, Oceania Rising took place at Kamakakūokalani: Center for Hawaiian Studies to remember and observe the 59th anniversary of the bombing of Bikini Atoll and reconnect Pacific peoples for peace. On March 1, 1954 the U.S. military dropped a nuclear bomb larger than the bombs dropped on Nagasaki and Hiroshima. The fallout affected the surrounding islands and peoples. Two decades later Hawaiians and supporters fought for and were successful in stopping the bombing of Kahoʻolawe, a sacred island used historically for navigation. Around this time people from around the Pacific were linking up with each other and making connections with what was going on in their islands. One group which formed out of this linking was Nuclear Free Pacific (NFP), which later added an I for Independent (NFIP). NFIP was a convergence of Pacific Peoples and their supporters to stop the  bombing of the Pacific and work towards peace. Oceania Rising was a day of remembrance, reflection, and reconnection! Below are clips related to peace movements in Hawaiʻi and around the Pacific.

A Nuclear Free Pacific? Victoria Keith Productions (1980)

The 1980 Nuclear-Free Pacific conference took place in Hawaiʻi.  As noted above this was a convergence of people from Hawaiʻi, Tahiti, Japan, and all over the Pacific to discuss and organize towards disarmament. The documentary includes speeches and interviews with members of NFP as well as footage of the No Nukes Concert which took place at Andrews Amphitheatre on the UH Mānoa Campus. Featured in the clip is Graham Nash of Crosby, Stills, & Nash and Olomana and Kawaikapuokalani Frank Hewett.

RIMPAC ’82. HKG Pilot Project: Nā Maka o ka ʻĀina.

Produced by Nā Maka o ka ʻĀina in 1982, this program is a compilation of footage dealing with the Protect Kahoʻolawe ʻOhana’s 1982 campaign to stop RIMPAC — Rim of the Pacific military exercises, part of which included the bombing of Kahoʻolawe island. Speeches and musical presentations from the March 6, 1982 Tribute to George Helm and Kimo Mitchell at ʻIolani Palace are intercut with footage of ʻOhana activities, news coverage of demonstrations and photos/narration from the PKO’s educational slideshow, narrated by Luana Busby. This video was digitally remastered/archived in 2011 by Joan Lander and Puhipau of Nā Maka o ka ʻĀina with support from Hawaiʻi People’s Fund.

By Koa Luke